I record and mix in rooms where there is no second take — live international broadcast, on-location podcast, and studio sessions across five cities.
My work splits three ways. I engineer audio for international broadcast — most recently in Davos, on crews feeding CNBC, BBC, France 24, NHK and Euronews. I record and produce podcasts on location, including Edelman's The TrustMakers and the World Economic Forum's Agenda Dialogues. And I track musicians — several hundred of them by now, in Montreal, New York, Los Angeles, London and Brighton. Alongside that I consult on live events, including the Aga Khan Music Awards in Lisbon.
Davos — Assistant engineer, international broadcast crews
Live multi-camera news environments with simultaneous feeds, interpretation channels, and no margin for error. Fast turnarounds, unforgiving rooms, international crews. The job is to be the person who has already solved the problem before anyone else notices there was one.
I've tracked several hundred musicians across Montreal, New York, Los Angeles, London and Brighton — engineering, production, and playing on the records themselves.
Sessions run from single-vocal overdubs to full band tracking. I'm comfortable being the engineer, the producer, or the player who fills the gap in the arrangement — and knowing which one the session actually needs.
Front-of-house and systems work at landmark events — large rooms, live audiences, single-chance shows.
The Aga Khan Music Awards recognize musicians working across the Muslim world and its diasporas. The 2018–19 laureates included Oumou Sangaré, Ballaké Sissoko, Mohammad Reza Shajarian, Dariush Talai and Mustafa Said.
Consultation covers technical planning, artist and stage requirements, and making sure the sound serves the music rather than the venue's habits.
My own project. Writing, playing, producing and mixing — nine releases since 2020.
Engineering for broadcast crews, conferences and live events. Available to travel; used to short-notice international calls.
Location recording through to finished master. Single episodes or full series.
Tracking, production, mixing. Remote or in person.
Technical planning and artist liaison for festivals, awards and cultural programmes.
Tell me what the project is, when it is, and where. I'll tell you straight whether I'm the right person for it.